A THEORETICAL FRAMEWORK MODEL FOR THE CREATION CERAMIC ART BASED ON ASH GLAZE IN THE PRODUCTION OF CERAMIC WORKS

Abstract

The theoretical framework forms concepts, terms, definitions, models, and theories that become the basis and orientation of the discipline for the study to be carried out. The researchers have prepared a model for the creation of ceramic works of art to form a guide in the research process to identify terms relevant to the concept, definition, elements of ash production, the process of creative and artistic ceramic works, data collection strategies, manufacturing techniques, material selection. Researchers are inspired to create works of art based on natural forms by studying and sketching plants in their natural state. The researchers then made rounds of the relief design to observe the development of vertical and dynamic patterns. The art of creating ceramics is one of the indicators of the prosperity of human culture. It has existed in human society for thousands of years. Archaeological evidence shows that ceramics have been used in many aspects of daily life to this day, and glaze has been an important process to enhance the durability and beauty of ceramics. Glaze increases strength and hardness, as well as surface resistance to acidic and basic materials when ceramic items are fired at temperatures over 1200 degrees Celsius (^oC). Ash glaze is one of the traditional (ancient) glaze. Chinese potters have been using it since the Han dynasty (206 B.C. – 200 A.D.), more than 2,000 years. In Malaysia, pottery is distinguished by its shape and design, as well as the colour produced by different types of glazes. In recent years, researchers have found that the consumption of organic waste produces a lot of waste and provides various methods and benefits in producing ash glaze. By using a simple and complex approach in understanding the formulation of blending as well as calculations in the production of ash glaze in the creation of ceramic art. In order to use this organic material, researchers are interested in experimenting with ash in experimental and practical methods. Raw materials are collected from various sources, then dried and burned. After being burned to ashes, glazes are made from it for ceramic creations according to the research process. Since it can be used for several types of ceramics, this study provides a model for using ash to make ceramic ash glazes. As a result, various forms of ceramic work with ash glaze were created.