SEMIOTIC OF SOUND TECHNIQUE IMPACTING THE UNDERSTANDING IN HORROR GENRE SHORT FILM “HAWA” (2016)
DOI:
https://doi.org/10.51200/ga.v13i2.4730Keywords:
Sound design, sound technique, thematic analysis, short horror, semiotic analysisAbstract
This study analyses the sound technique that is used to analyse the structure of sound in “Hawa”, Directed by Tan Ce Ding in 2016, a short horror film about a girl who is being locked inside her room by her parents due to her infection. Using semiotic analysis, this research studied their sound technique that they employ to convey a message in each scene. To comprehend how the techniques of various noises used in motion pictures, as well as the temporal evolution of sound energy, create an emotional experience for the audience. In the context of multimedia content analysis and indexing, qualitative methodologies have already been applied to horror film soundtracks. It was decided to use a qualitative research strategy, and more precisely, a hybrid technique that combines thematic analysis with semiotics content analysis. This method was chosen because it was necessary to find, code, classify, and count both obvious and latent meanings in the written responses of the audiences. Thematic analysis is used to analyse the audience’s understanding in Hawa film directed by Tan Ce Ding, that can elicit horror understanding and feeling. Such as the existence of diegetic and non-diegetic sound, contrapuntal sound, parallel sound, and sound bridge can imply to the understanding.
Downloads
Published
How to Cite
Issue
Section
License
Submitted manuscripts in the Malay language or English must be original contributions, and have not been previously published or under consideration for publication elsewhere.
Manuskrip dalam bahasa Melayu atau bahasa Inggeris yang diserahkan untuk diterbitkan dalam jurnal ini hendaklah karya asli yang belum pernah diterbitkan, atau yang tidak dihantar untuk pertimbangan oleh mana-mana penerbitan yang lain.